Clarissa Chair

A seat and its double: on the one hand it contains and protects, on the other it extends and welcomes. A showy ambivalence that artificially separates form and content, image and concept, which, not surprisingly, suggests a double function with the name - hood. The hood is an ancient and at the same time urban symbol; it protects and frames the face but can hide, deny dialogue and confrontation. The impact is strong, all played on the edge of contrast: the three dimensions seem to recite the two-dimensional geometry of the design, the chromatic overlap does not divide but complements, the tension is not appeased but stabilized. Clarissa is a dynamic relaxation armchair, ready to shoot but ready to rest, to temporarily suspend activities. A combination of competitive spirit and collaboration, of provocation and aesthetics.

Injected flame-retardant foam with internal steel structure. Base in painted oak.

Data sheet